The Dictionary of Sydney was archived in 2021.

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BLOG

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CURRICULUM RESOURCES

[/et_pb_text][et_pb_image src="https://s3.ap-southeast-2.amazonaws.com/slnsw.dxd.dc.prod.dos.prod.assets/home-dos-files/2015/10/SRNSW_15051_a047_001280.jpg" alt="Children in classroom at Blackfriars Public School c1913, State Records New South Wales (15051_a047_001280) " url="https://home.dictionaryofsydney.org/education/" url_new_window="on" align="center" force_fullwidth="on" align_tablet="center" align_phone="" align_last_edited="on|desktop" admin_label="Children in classroom at Blackfriars Public School c1913 SRNSW" _builder_version="4.0.5" use_border_color="off" border_color="#ffffff" border_style="solid" animation="off" sticky="off" always_center_on_mobile="on"]"] [/et_pb_image][et_pb_text admin_label="Text" _builder_version="3.27.4" background_color="#ffffff" background_size="initial" background_position="top_left" background_repeat="repeat" text_orientation="justified" use_border_color="off" border_color="#ffffff" border_style="solid"]FREE downloadable units of study linked to the Australian history curriculum here. [/et_pb_text][et_pb_divider show_divider="off" disabled_on="on|on|off" admin_label="Divider" _builder_version="3.23.4" height="5px" hide_on_mobile="on"]  [/et_pb_divider][et_pb_text admin_label="Book Reviews" _builder_version="3.27.4" text_font_size="12" background_size="initial" background_position="top_left" background_repeat="repeat" use_border_color="off" border_color="#ffffff" border_style="solid"]

BOOK REVIEWS

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Detail from MS Hill's 1888 map 'The City of Sydney',  a birds-eye view over the city looking to the south and west across Darling Harbour. http://dictionaryofsydney.org/image/97526

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New perspectives on Aboriginal Sydney

Image of petition from Maria Lock re: land grant 1831, page 1
Petition from Maria Lock re: land grant 1831, page 1. 1831. By Lock, Maria. Contributed by State Records New South Wales [NRS 907 2/7908, page 1 of 3
The Dictionary of Sydney has a large number of articles, images and information about Aboriginal Sydneyand this content is among our most visited articles. We recently published nine new articles about key Aboriginal sites in the Sydney basin. This content was supported by Office of Environment and Heritage through their Aboriginal Heritage Projects. The articles cover early land grants to Aboriginal people, massacres, institution and mission sites, social and leisure hubs and hotels. There are many "I didn't know that?!" moments in the articles. For example, did you know that long before native title, some Aboriginal people were granted land by the colonial government in western Sydney and their families lived on the land for over 80 years? Governor Lachlan Macquarie granted 30 acres to Colebee and Nurragingy on 31 August 1819. It was given in recognition of their cooperation. Colebee helped guide William Cox when surveying the Blue Mountains road and later worked as the Native Constable at Windsor; while Nurragingy participated in the punitive expeditions of Governor Macquarie in 1816 to punish theft and violence against settlers. The land was located on the Richmond Road at the intersection of what is now Rooty Hill Road. Although the registration of the land grant was in Colebee's name only, the land continued to be occupied by Nurragingy until his death and formed the crucial locus for several more land grants and the establishment of the Black Town Native Institution. Heidi Norman's article on Colebee and Nurragingy's land grant out west around Blacktown demonstrates the complexity of Aboriginal-government attitudes to land. The government saw land grants as a form of reward - it was not a recognition of attachment to place or country. Nevertheless, some Aboriginal people tried to use the system to legitimise in colonial eyes their connection to traditional lands. This certainly seems to be the case for Colebee and Nurragingy. Heidi Norman explains that the location of the land grant was significant because it was apparently nominated by Nurragingy. Ongoing archaeological work continues to reveal the presence of stone artefacts and the important source of silcrete, a hard stone useful for making hunting equipment which would also have been a useful trading substance before and after the Europeans arrived. The site was resumed by government in the 1920s, and more recently was partially developed as a housing estate, but Heidi Norman writes, "...it continues as a space that connects pre-colonial traditional Aboriginal people with post-contact Aboriginal modernity and where the justice claims of post-colonialism await." The site's importance for its historical and contemporary connections was recognised in 2012 when the site of the original land grant was listed on the state heritage register. To read the story of Nurragingy, Colebee and his wife Black Kitty, and their descendants, including Maria Lock, who we have highlighted before, have a look at Heidi Norman's article. You can listen to a podcast of Lisa’s segment with Mitch at 2SER Breakfast here. Tune in again next week for more of Sydney’s history courtesy of the Dictionary of Sydney, on 107.3 at 8:20am. Don’t miss it!  
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Sydney's love affair with film

Black and white photograph of sound technicians setting up turntable and amplifiers for first talkies in Australia, 'Jazz Singer' at the Lyceum Theatre in 1928
Sound technicians setting up turntable and amplifiers for first talkies in Australia, 'Jazz Singer' at the Lyceum Theatre 1928. By Hood, Sam. From the collection of the State Library of New South Wales, hood_07666 / Home and Away 7666, Mitchell Library
There’s so much to see at Australia’s second oldest festival, the Sydney Film Festival, with both international and Australian films being showcased in various venues across the city. So how did our love affair with film and cinema begin? In their article on Film for the Dictionary of Sydney, Ruth Balint and Greg Dolgopolov explain. The presence of a film culture in Sydney dates back almost as far as the invention of modern cinema. In 1894, in a little shop opposite the Strand Arcade in Pitt Street, Sydneysiders witnessed Thomas Edison’s Kinetoscope the first time it was brought to Australian audiences. Viewers paid five shillings at the door and looked through a peephole at the top of the device to see a 20-second collection of images which created the illusion of a motion picture. Not quite the huge screen, surround sound cinematic experience we’ve become accustomed to! Twenty-two thousand people flocked to look through the ‘mystical machines’ in its first five weeks and newspapers reported it featured ‘four of the liveliest specimens exhibited’ - ‘The Boxing Cats’, ‘Blacksmith’s Forge’, ‘Cock Fight’ and ‘the Shaving Match’. Some of the earliest forms of Australian cinema tended to feature scenes of city life. In 1896 people gathered to watch a film titled Passengers Alighting from Ferry 'Brighton' at Manly, but sadly there is no known surviving copy of this film. For the first time, watching a film had become a shared experience. Some of the first picture theatres were little more than tin sheds; temporary spaces hired out for special evenings full of entertainment which usually consisted of newsreels, actuality films or comic sketches. From the early 1900s, the cinema was found more commonly in Sydney’s suburbs, providing locals with cheap and accessible entertainment. These cinemas introduced continuous screenings, running films non-stop between 11am and 11pm. And the six o’clock closing for public bars during World War I drove people even more to the cinema. For young women, it was a safe place they could go to unchaperoned. Lavish cinema ‘palaces’ were built, including the Crystal Palace Theatre in George Street, which had slot machines, a soda fountain, ice-cream bar, air conditioning, a gymnasium, and a cafe with an electric fountain and tables with telephone connections. Of course there was also the State Theatre on Market St, which was built in 1929, with its lavish marble staircase, velvet lounges, Romanesque statues and huge chandelier. In 1921, there were 18 movie theatres in the city centre alone, with a further 96 in the suburbs. Between 1907 and 1912, at least 90 Australian feature films were produced, with many set in Sydney. In stark contrast to representations of the Australia bush, the city came to be depicted as a hotbed of dissipation and vice. In the 1920 film The Breaking of the Drought, Sydney features cigarette-smoking temptresses and corrupt tricksters. In another film, titled The Sentimental Bloke, Woolloomooloo is depicted as a shabby suburb plagued with gambling dens and slum areas, as a couple escape the city to find happiness in the idyllic countryside. During the late 1920s, the introduction of the ‘talkies’ further revolutionised the Australian cinema-going experience. By 1927, 90 per cent of all films screened in Australia came from America and independent film production all but ceased during the 1930s. Many of the films produced during this time were used to promote tourism, trade and immigration to international audiences. And Sydney was at the heart of this strategy, with its sparkling harbour and famous landmarks, including the Harbour Bridge which opened in 1932. You can listen to a podcast of Nicole’s segment with Mitch at 2SER Breakfast here. Tune in again next week for more of Sydney’s history courtesy of the Dictionary of Sydney, on 107.3 at 8:20am. Don’t miss it!
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Anzac Ultimo Honour Board

Logo for the centenary of the Anzac The Dictionary of Sydney has received funds from the Anzac Centenary Local Grants Program to highlight the Ultimo Community Centre World War 1 Honour Roll. For this project we will include information about the 36, World War I soldiers whose names are recorded on the honour roll. What were their links to their local Sydney community? What stories can be captured and recorded online for posterity? We will map where these men lived so that with GEO referencing we can visually see where they came from. A social history essay about the men and honour board would be written to sit alongside the entities.

Arthur K Syer, Capturing everyday life on Sydney streets

Photograph of Chinese labourers c1885-90 taken on the streets of Sydney
Chinese labourers c1885-90 By Syer, Arthur K. From the collection of the State Library of New South Wales, a844023 / PXA 394/23, 1885 - 1890
Photography is an amazing medium. In certain frames it can give us a candid glimpse of everyday life and transport us to another era.  This is exactly what happens in an fabulous exhibition currently on at the State Library of New South Wales called Crowds. The exhibition presents the daring, concealed images snapped by photographer Arthur K Syer. Syer's friend the illustrator and cartoonist Phil May asked Arthur to take the photos for him to capture everyday life on Sydney streets. He wished to used the photos as a study for his illustrations - a gesture here, the tilt of the hat there, characters and types. And so in the 1880s Arthur K Syer strolled through the streets of Sydney with his parcel-wrapped, hand-held 'Detective Camera'. This innovative little camera, way before James Bond or Maxwell Smart, allowed Arthur to take photographs without the subject's knowledge. The photos are compelling. You feels like you are there wandering along the street yourself. We have one of Syer's photos already in the Dictionary of Sydney. It shows a couple of Chinese street traders or hawkers with their baskets getting ready to hit the pavements selling their vegetables. It is an example of one of the great community partnerships we have with institutions like the State Library that allow us to access their collections and share content with our curious readers. And now that more images have been digitised, we'll be able to add more into the Dictionary to really bring to life what Sydney was like in the 1880s. There are photos in the exhibition of people boarding the ferries at Circular Quay, crowd shots of children staring at something happening up a ladder, larrikins crossing the street, and carters and traders bustling amongst the horses at the George Street Market beside the Sydney Town Hall. One of my favourites is a brass band playing in the street. To check out some of the photos, go to the exhibition at the State Library. It is free admission and on until 23 August. While you are there you can also pick up a series of postcards and go out onto the streets and do your own 'then and now' photos with your smartphone. You can also follow Arthur K. Syer on Instagram @arthursyer or view some of his photos in the State Library's online Pictures Catalogue and Flickr album. You can listen to a podcast of Lisa's segment with Mitch at 2SER Breakfast here. Tune in again next week for more of Sydney’s history courtesy of the Dictionary of Sydney, on 107.3 at 8:20am. Don’t miss it!
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Writing in Sydney

Black and white photography of author Patrick White, taken in Kings Cross in Sydney in 1980
Portrait of Patrick White, Kings Cross, New South Wales 1980. By Yang, William. Contributed by National Library of Australia, nla.pic-vn4247784
The Sydney Writers’ Festival is underway, with a range of interesting events centred around storytelling and the nice tagline ‘it’s thinking season’. So I thought I’d take a look at the history of the written word in our city. The Dictionary has a wonderfully detailed essay on the history of writing in Sydney by Elizabeth Webby, Professor of Australian Literature, at the University of Sydney. In it she reveals some rather interesting facts. Did you know:
  • from the moment the First Fleet landed the race was on to see who could get the first accounts of settlement to London publishers
  • printing presses arrived in Sydney with the First Fleet but the first newspaper didn't go to press until 1803
  • the pleasures of Sydney have provided inspirations to poets since the early years of the colony
  • the first novel was published in Australia in 1838
  • from the high to the low, Australia's first detective novel was published in 1842.
Sydney witnessed its first writers when those that came with the First Fleet wrote back home of their journey and the new colony. Some of the officers in the fleet wrote of the various flora and fauna they saw, and the land’s indigenous inhabitants. In fact officers Watkin Tench and David Collins were competing to see who would be the first to get their accounts of the new settlement to London publishers. It turns out, Tench won that race. But there were other accounts from free settlers and convicts, such as the successful businesswoman Mary Reibey, who was arrested for stealing a horse while dressed as a boy in 1791 and transported to Australia. There’s a lovely miniature portrait of her which you can find in the Dictionary, and you might just recognise her with her little round spectacles as the face which appears on our $20 note! She wrote to her aunt the day after she arrived in Sydney that she thought ‘it looks a pleasant place’. Although a printing press had arrived in Sydney in 1788, Australia’s first newspaper, the Sydney Gazette, did not begin publication until March 1803. Poetry became a popular genre as newspapers were not illustrated at the time. And the Dictionary includes one poem, published in 1830 by an anonymous author, which I have to quote. Titled ‘The Pleasures of Sydney’ it covers some of the sights:  ‘…How little we thought,  Fifty years could have wrought,  Such a place as that darling Hyde Park’. The mid to late 19th century saw the emergence of some of Australia’s most well-known poets, including Henry Lawson, ‘Banjo’ Paterson and Victor Daley. Many of these early poets describe what sounds like a very different Sydney; Christopher Brennan described an experience on a tram down George Street in 1908, passing shops lit with ‘the electrics’ ghastly blue’, Kenneth Slessor described Kings Cross in his famous 1939 poem ‘Five Bells’: 'The red globes of light, the liquor-green, / The pulsing arrow and the running fire…You find this ugly, I find it lovely’.
Murder of a Nymph book cover 1951
Murder of a Nymph book cover 1951. By Marxchivist. Contributed by Flickr http://www.flickr.com/photos/tom1231/261904734
The first novel published in Sydney was Anna Maria Bunn's The Guardian from 1838. Set in Ireland, it only made passing references to Australia (mainly uncomplimentary). Australia’s first fictional detective tale was John Lang’s Legends of Australia, published in 1842. Another century passed by before the genre took off. Two sisters writing under the pen name Margot Neville published 18 crime novels during the 1940s and 50s, including one titled Murder of a Nymph. The book's cover features an unfortunate, rather buxom blonde under the tagline, ‘She would never steal another woman’s man again!’ One of Australia's most prominent English-language novelists of the twentieth century was English-born Australian and long term resident of Sydney, Patrick White. White published 12 novels, three short-story collections and eight plays, and won the Nobel Prize in Literature in 1973. He wrote about life in Sydney, with many of his later works set in and around Centennial Park, which he campaigned to preserve during the 1970s. The Sydney Writers' Festival has a host of talks, exhibitions, performances, special events and workshops - details are available on the website: http://www.swf.org.au/. You can read more about literature on the Dictionary here including essays, information about authors, organisations and some great images to browse and enjoy. You can listen to a podcast of my segment with Mitch at 2SER Breakfast here. Tune in again next week for more of Sydney’s history courtesy of the Dictionary of Sydney, on 107.3 at 8:20am. Don’t miss it!
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Celebrating Sydney's volunteers

Newspaper clipping from The Sydney Morning Herald, 17 June 1950, p1, showing a photo showing  Volunteers from the Milperra district in response to an urgent broadcast appeal. work in blinding rain to sandbag a point in the Georges River where flooding was imminent, 16 June 1950
Volunteers from the Milperra district in response to an urgent broadcast appeal. work in blinding rain to sandbag a point in the Georges River where flooding was imminent, 16 June 1950. From the collection of the State Library of New South Wales, BN445, The Sydney Morning Herald, 17 June 1950, p1.
It's National Volunteer Week this week and once again we would like to thank all our volunteers for their time and generosity. Our volunteers enable the Dictionary to deliver much more than we possibly could on the equivalent of 1.7 full time staff! A quick look through the Dictionary reveals just how much volunteers and volunteering is part of our history in Sydney. You'll find volunteers in all fields including fire fighting, armed forces, guiding, emergency relief, fund raising, heritage conservation, music, art, aviation, community outreach, signalling, coast guarding, education - and something quite fundamental to Sydney - emigration. Without volunteers, we would be a much poorer city and people so we hope you take the time to celebrate or be celebrated this week. If you'd like to find out about the events that are on as part of National Volunteer Week, you can visit the website here. Give Happy Live Happy National Volunteer Week logo    
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Market Development Manager position

We're looking for a Market Development Manager!
We're looking for a Market Development Manager!
The Dictionary of Sydney is looking for a Market Development Manager for a short term four month contract, one day a week, starting in June 2015. The Market Development Manager will be responsible for establishing key relationships and for developing and executing partnerships that will expand access to the Dictionary of Sydney. The position description can be found online here or contact Kim Hanna, the Dictionary's Executive officer for more information: kim.hanna@dictionaryofsydney.org Applications close on the 29th May.
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Book Review: Fractured Families

Front cover of book 'Fractured Families: Life on the margins in colonial New South Wales' by Tanya Evans
Fractured Families: Life on the margins in colonial New South Wales By Tanya Evans, Paperback, Apr 2015, UNSW Press, ISBN 9781742232577, 336pp
Review by Dr Catie Gilchrist
Fractured Families: Life on the Margins in Colonial New South Wales, by Tanya Evans. Published by UNSW Press 2015
This beautifully illustrated and extensively researched book will be of great interest to academics and people researching their family stories from the colonial past.[1] It interweaves the lives of poor people in the nineteenth century with recent research revealing mostly forgotten stories.[2] It will also be of note to anyone with a lively interest in looking at 'history from below'; the lives of the poor, the elderly, the invalid, the marginalised, the abandoned and the plain unlucky are all here brought vividly, and sometimes depressingly, to life. The book moves chronologically through the nineteenth century and convincingly argues that, despite the best efforts of charities and philanthropic organisations, many fractured families remained as desperately poor at the turn of the twentieth century as they had been one hundred years earlier. Moreover, the dependency of one generation was often repeated by the next; the web of charities that existed in Sydney and in the wider colony, often barely met their needs. In many ways then, this book reveals another story that moves beyond the idea of colonial Australia as the 'lucky country' or the 'working man's paradise' and herein lies its ultimate significance. For some people living in New South Wales in the nineteenth century life was less of a paradise and more of a purgatory; often marked by periods of grinding poverty, unstable family relations, temporary or even permanent institutionalisation and early death. As the subtitle itself suggests, 'life on the margins' was, for a variety of reasons, a terribly hard and often heartbreaking existence for many men, women and children. But help was at hand from the various charities, philanthropic organisations and institutional establishments that came into existence during the nineteenth century.[3]  The Benevolent Society, Australia's first charity, was founded in Sydney in 1813. At first the Society provided 'outdoor' relief to people in need of food, blankets and even rent money. Later this establishment became a refuge for the distressed, a hospital for the diseased, an asylum for the aged poor and a home for the wretched wanderer. Evans has used the detailed and extensive archives of The Benevolent Society to help recreate and reclaim the people whose lives have, until now, been left unknown, unexamined and therefore not at all remembered as belonging to our history. In chapter one we meet William Hubbard who was transported on the Scarborough in the First Fleet and arrived in January 1788. By the 1840s William had lost his first wife Mary and a subsequent partner Hannah, who both predeceased him; elderly, poor and in need of charity, Hubbard was admitted to the Benevolent Society's asylum in 1841 and died there in 1843. The asylum was a necessary refuge for elderly and infirm ex-convicts like William. Of the 331 inmates in the asylum in March 1843, 245 were ex-convicts. Most were quite elderly, with 67 aged being between 70 and 80, 16 being between 80 and 90, and five being over the age of 90. The author draws an interesting parallel with the fact that, in the nineteenth century, English workhouses increasingly housed the elderly poor, which Evans notes were 'today's old people's homes.'[4] Pensions were not introduced into New South Wales until 1901, and federally in 1908; until then the elderly poor had to either work or rely on their families. Others such as William Hubbard were utterly reliant upon charitable institutions. But it was not just the elderly and the infirm that relied on charitable relief; during the depression of the 1840s, many families struggled to cope with poverty, illness, malnutrition and early death. Some men deserted their families to search for work, never to return. In the following decade, the gold rush exacerbated pressure on charities as men deserted their families in droves to head for the diggings. Indeed, 'families without breadwinners' – the title of one of the chapters – have always been one of the largest groups dependent upon state and charitable aid. Spinsters without supportive friends and families were also often reliant upon charity and philanthropy at this time. Widowed and deserted women were particularly vulnerable to the exigencies of the economy; many women used the Benevolent Society and the orphan schools to serve as temporary foster homes for their children who they could no longer afford to feed and house. Often the mothers themselves were ill and in need of charitable care; worn out from years of continual pregnancies, miscarriages and early infant deaths which were all too common in the nineteenth century. When the Randwick Asylum for Destitute Children opened in 1852, it was inundated with applications from women unable to look after their children. Indeed, lone mothers continued to be the major clients of charity in the 1880s and 1890s. Many moved in and out of intimate relationships with men throughout their lives. Looking through the paper trails they left behind in the records of the charitable institutions they relied upon, Fractured Families helps to cast new light on ideas surrounding the moral and sexual practices of women, and attitudes towards illegitimacy in colonial New South Wales. The lives of other poor families were fractured in different ways. Newly arrived immigrants who had left behind the support networks of their extended families, friends and neighbours often struggled and 'the hope for a better life among all types of migrants could be dashed soon after arrival.'[5] Not all migrants prospered in the 'lucky country' and even those who arrived with skills, qualifications and resources were subject to severe misfortunes. Here again the author manages to convincingly dispel the stereotype of immigration and colonial expansion as one of an onward and upward march of successful progress and prosperity. Alexander Cook was one such migrant. He emigrated from Scotland in the 1830s with his parents, two sisters, one brother and his 17 year old wife. During the voyage to Australia, their ship was struck with an outbreak of typhus fever. Alexander lost both his parents, his sister Mary and his new bride Jane – four of the six members of his family. Although he later remarried and had five children, the rest of his life was marked by bad fortune and economic disaster. He later abandoned his family; his wife Anna Maria died in a lunatic asylum and the five children were split up between various charitable institutions and other local families. Fractured Families is at times a gritty, depressing and gruesome read. Prior to the mid-nineteenth century there was a shockingly high rate of infant and maternal ill health and death. Yet the author shows how this stark reality led to an increased awareness within colonial society of the need for a public health movement and the necessity of training women as professional nurses and midwives, together with the subsequent medicalisation of childbirth and childcare. This in turn provided increased opportunities for some women to move into the fields of nursing, charitable work, social reform movements and feminist organizations of the late nineteenth century. To cite just one example from the book – a Ladies Committee was established at the Benevolent Society in Sydney in 1879 to interview applicants for indoor and outdoor relief. In 1895 this committee organised a very successful fundraising appeal, entitled '1000 Children in Need of Food.' Such activities provided vital support for many families during the depression years of the 1890s. As a whole, Fractured Families is an accessible history,[6] if at times somewhat awkward. The movement back and forth between historical content and the contemporary work of family researchers and their motives creates many moments of disjuncture. Likewise, the author's frequent use of 'as described above', 'as previously mentioned' or 'which I discuss in the next chapter' creates too many needless signposts and obvious reminders. However, Evans convincingly argues the case that the joint work and research of academic and family historians is an important innovation in historical method. She is also successful in urging for further collaborations of this kind in the future because 'the more work we do together, the more we can potentially learn about our subjects.'[7] Uncovering the lives of the poor, the marginalised, the ordinary and the forgotten is certainly an important research endeavor for social, cultural and family historians alike. Moreover, by understanding the experiences of these lives in the nineteenth century, we can better grasp the continuities of this inequality for the lives of many people in New South Wales even today. Published by UNSW Press in April 2015 and available to order here (and through all good book stores!). RRP $39.95        


[1] For Aboriginal family historians interested in researching their lost family histories, this task is particularly important. As part of the process of national reconciliation, the state now funds this research through Link Up organisations which reunite Aboriginal and Torres Strait Islanders across Australia, state libraries and the Australian Institute of Aboriginal and Torres Strait Island Studies. Native title claims also require the reconstruction of family trees to legitimize often hard to prove claims to continuous links to the land. As Tanya Evans notes, 'For Aboriginal family historians, tracing genealogy is usually a political act.' Fractured Families: Life on the Margins in Colonial New South Wales (Sydney: UNSW Press, 2015) 58.
[2] The book discusses the widespread appeal of the television show Who Do You Think You Are?, the burgeoning popularity of websites such as ancestry.com and the recent proliferation of  local family history societies, among other resources used by family historians.
[3] For example, from 1860–1910 over 18,000 Sydney children attended the 'ragged schools' which were established to give poor children a basic education.
[4] Tanya Evans, Fractured Families: Life on the Margins in Colonial New South Wales (Sydney: UNSW Press, 2015) 36
[5] Tanya Evans Fractured Families: Life on the Margins in Colonial New South Wales (Sydney: UNSW Press, 2015) 134
[6] It does, however, contain rigorous endnotes, a comprehensive bibliography and index.
[7] Tanya Evans, Fractured Families: Life on the Margins in Colonial New South Wales (Sydney: UNSW Press, 2015) 240    
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